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Friday, June 14, 2019

Land, Water Sky: Walk, Swim and Fly---A Process Revealed, by Camille



The pieces that children performed on Friday, May 31, 2019 are original, to almost every extent. Movements were choreographed in workshop sessions with Morgan Padgett; she elicited the children’s ideas and helped them to bring their movements together into ten smooth, collaborative works, which, in turn, she then brought together into one larger piece. In music sessions, all the children were introduced to the instruments at an entry level of learning to play, as the xylophones were new to the school this spring. First exploring scale and rhythm and then playing several simple songs together, the children were then encouraged to compose melodies or rhythms to “speak” to a particular animal. Several work sessions were dedicated to movement groups and music groups working together to synchronize their combined efforts; modifications and extensions were further developed during periods of rehearsing.

Ian experiments with different notes as he records his melody on a piece of paper.  


Each year as the teachers meet to plan out the scope and sequence of our thematic studies, we work to balance units throughout the disciplines, so the range of studies insures preparation in the arts and sciences. We had planned to end our work on the scientific study of music, but as we got to the turn of this year, with snow days definitely a factor, we realized that we needed more time to spend on our study of animals. We then decided to modify our original ideas regarding the study of music to be less of a scientific study of sound, making it one that would delve into using instruments, with a performance as a goal. What direction that performance would take was open, but as teachers we all responded to a vision that Morgan had in regards to a vibrant, flowing work, where movement would take the center stage.  We owe our thanks to her for taking the leadership of this project in both concept and realization. All teachers joined efforts in support of that vision.


Children practice moving like an animal during all school gathering. This occured during the beginning stages of LnP's production of Land, Water, and Sky: Walk, Swim, and Fly.

Oral interpretation--the ability to use one’s voice to express emotion and meaning to an audience-- is an important aspect of the language arts that Lake and Park children work on throughout the year. (It is
when reading aloud their own poetry that they are able to develop this expressiveness, which then opens them to considering how to interpret poetry written by others.)  This work is a piece that showcases not
only poetry, but highlights factual information. Thus, integral to the production is the behind-the-scenes work that took place each afternoon for several weeks in mixed aged “homeroom groups”. In these animal groups, children studied and created together. They developed games that incorporated possible scenarios about the animal they studied, while learning of the whole sweep of migration.  


Toby, Myles, and Gus design a turtle migration board game.



The costumes pictured below were fashioned largely by them, designed to suggest a species, while leaving the dancer free to move about.  The murals about you reflect the children’s biological understanding of the habitat and migration pattern of each group’s studied animal.

Jellyfish group

Salmon group

Whale group

Monarch butterfly group

Caribou group

Turtle group

Arctic tern group

Zebra group

Canada geese group

Elephant group


We are glad to celebrate our growing understanding that the earth is one entity shared by many.  Join us as we wonder how it is that such a number of them annually make their various ways over land, water, sky.  Through music, word and movement of human making, we did our best to express how ten of  those display their own best means of locomotion.  It is in imitation and honor of them that together we walk, swim and fly.

Silent Film Camp



Camps are special at Lake and Park because children and teachers get to work with each other in new configurations.  We began with a discussion about what we know about silent films and what we wonder; children collectively knew a lot and wondered a lot, as well.

We looked at Sendak's In the Night Kitchen through new eyes, looking for comedian Oliver Hardy in the role of each of the three bakers and then watched three short silent films featuring both Laurel and Hardy in the early years of their careers.

As we learned about the evolution of still photography to moving film, we created "twisters" to show how moving two pictures quickly on a dowel caused the pictures to blend together.  We made flip books, another aide to understanding animation.

We combined our efforts to produce a simple video in silent film fashion, based on an old song, "She Sat in the Hammock", which we altered to "She Sat in the Armchair";  the show starred Tillie, and Gus, was directed by Owen, filmed by Rowan, with props made by River and Yael.  Everyone sang as Bruce played the guitar.  After a week of collobration and production, we enjoyed a matinee viewing of three silent films.

Camps are a time for children to focus intensely in a thematic study with other children across the grades.  It is wonderful to see children encourage growth and development in creativity and expression among each other.




Click on this link to enjoy the three silent films children created; The Man with a Burned Face, How to Make a Silent Film, and Who Did It?